ChicagoRound: 1903 Iroquois Theatre fire

Chicago emerged from its devastating Great Fire on October 10, 1871, after a two-day conflagration that destroyed 17,500 buildings over four square miles, left 90,000 of the city’s 300,000 inhabitants homeless and killed an impossible-to-quantify-accurately 200–300 people.

And the city immediately began rebuilding.

Thirty-two years and two months later, after rising both literally and proverbially from its ashes to reclaim its place as one of America’s most populous and vital cities, Chicago was devastated by another fire … this time in the month-old, state-of-the-art, “fireproof” Iroquois Theatre.

When it opened on November 23, 1903, the Iroquois Theatre was hailed as an architectural masterpiece and a jewel in the crown of Chicago’s theater scene. Designed in the highly ornate French baroque style, it featured grand staircases, gilded ornamentation, lush velvet curtains and a 6,300-square-foot domed auditorium with a dropped stage to improve the sightlines from every seat in the house. And though it was billed confidently as “absolutely fireproof,” the Iroquois contained almost no fire-safety features. No fire alarm. No backstage telephone. No labeled fire exits (most exits were hidden behind velvet curtains by theater managers who didn't want them to look ugly). Even its supposedly fireproof asbestos curtain was made of a highly flammable wood pulp. (Fewer than ten years later, the “unsinkable” Titanic would succumb to a similarly overconfident hubris.)

The theater’s opening production was a touring musical pastiche called Mr. Bluebeard, which featured a 400-person cast and starred popular Vaudeville comedian Eddie Foy. It had enjoyed critical and popular success for over a month when its December 30 audience filed in on a freezing Wednesday afternoon during the break between Christmas and New Year’s Day. Since the theater’s opening had been delayed repeatedly, its owners were desperate to make up for lost revenue, so they habitually oversold the house, seating extra patrons up and down the aisles in the orchestra and balconies.

The fire started at the top of Act II when an overhead stage light shorted and sent sparks leaping to a nearby curtain. As the fire spread through the flylines and burning bits of scenery rained down on the stage, the actors continued soldiering through their performance, confident in their understanding that the theater was fireproof. A handful of people in the audience got nervous enough to leave, but many chose to stay in their seats (or aisles) until it became obvious the fire was not going to be contained.

And then panic set in.

The ensuing stampede up overcrowded aisles through an unfamiliar theater with hidden exits left trampled bodies everywhere. And since most of the Iroquois exit doors opened inward, the bodies piled up in front of the doors, leaving no hope of escape.

The actors, too, created their own stampede to find exits. And when they finally pried open the giant freight door on the north end of the stage, the arctic winter blast that blew into the building combined with the fiery gases above the stage to create a superheated fireball that exploded into the auditorium and incinerated everything in its path, including hundreds of people still in their seats.

Many of the people who did manage to get out of the building found themselves trapped high in the air on unfinished fire escapes. As these fire escapes got more and more crowded, people begin to fall (or jump) to their deaths in the alley below. By the time the fire was over, bodies were piled 10 deep in what is still called to this day Death Alley.

Though it was contained to one building and it burned less than an hour, the fire killed over 600 people (twice the number killed in the two-day Great Fire of 1871), shut down theaters around the world out of fire-safety concerns (leaving thousands of actors and theater employees unemployed), generated worldwide outpourings of sympathy, exposed yet another Chicago corruption scandal in the years of ensuing lawsuits, and ultimately brought about great changes in the way we respond to massive disasters and catalogue and identify disaster victims. It even inspired an Indianapolis hardware salesman named Carl Prinzler, who randomly had to miss the deadly performance, to invent what he called the Self Releasing Fire Exit Bolt once he learned that a disproportionate number of victims had died in desperate piles in front of the inward-opening exit doors with confusing European-style bascule locks. Known today as the “panic bar,” his invention—along with outward-opening exit doors—are perhaps the biggest public-safety legacy of the Iroquois disaster.

Today, the stunning Asian-baroque James M. Nederlander Theatre (built in 1926 as the Oriental Theatre until its name was changed in 2019) sits pretty much on the exact footprint of the Iroquois Theatre. A thriving part of the Broadway in Chicago theater collective, it features touring productions that play year-round to thousands upon thousands of theater patrons who largely have no idea that they’re sitting on a historic graveyard of sorts. To my knowledge there isn’t even a memorial on the property commemorating the fire.

There is a memorial about three blocks away, in Chicago’s classical-revival City Hall building. Designed by Chicago sculptor Laredo Taft, the bas-relief plaque currently sits above a glass column that houses a revolving door, so it’s both hard to see up close and hard to photograph, especially with an iPhone.

Thankfully, it’s accompanied by an eye-level plaque that explains it context and memorializes the 600 lives lost on December 30, 1903, in one of the worst theater disasters in history.

Timber!

Eight years ago today—two years after leaving the hospital and just hours after taking the very first dose of yet another new bipolar med added to my ever-evolving cocktail—I stood up from a chair, walked a couple steps, blacked completely the hell out, fell Timber! onto the tile floor (which I cracked with my face because GO BIG OR GO HOME), shredded myself eyebrow-to-chin on my shattered glasses, bit most of the way through my lip, loosened some teeth, got a concussion, and woke up in my sister's car holding a huge bloody rag to my face too confused to remember that Christmas had happened (or, for just a few glorious moments, that I was even bipolar) as she rushed me to the ER, where I looked so brutally horrifying that the nurses assumed I was the victim of a violent assault and three police officers were dispatched my room to question me well before the doctor showed up to assess the damage, declare me not dead and give me double-digit stitches.

I came home covered in swelling and bruises and scabs and stitches and glue—after telling the ER doctor in my foggy haze that my modeling days were over and I didn't care if he left scars all over my face but I vaguely remember him informing me that he still had a professional obligation to do his best—and filled eyeballs-to-spine with a deep, not-for-amateurs headache that brought crippling new levels to my understanding of pain ... and yet I still found a way to take time out of my busy schedule for a quick selfie to document the occasion for future biographers. (You're welcome, posterity!)

This Timber! event was directly linked to my new drug (called Fetzima, who sounds like a possibly immodest resident of the Anatevka demimonde in Fiddler on the Roof) that, as with all psychotropics, came with an alarming list of ramp-up side effects ... including abrupt blackouts. But I knew from a decade-plus of trial-and-error experience that I needed to tough out the first three or four weeks until the side effects subsided and the drug's level (or not level) of efficacy manifested (or didn't manifest) itself.

And despite its hyperdramatic entrance into the madcap musical of my life, Fetzima more-or-less quickly proved itself to be perhaps the drug that effectively balances my serotonin and norepinephrine and keeps me (more or less) stable and engaged and functional and capable and able to go to work and do shows and take care of my parents and run races and do handyman projects (quite well, if I can toot my own horn, which I shamelessly will) and practice the piano and buy shoes and buy more shoes and here I am eight years later, scar-free (thanks, conscientiously ethical ER doctor!) (though it took a good six months for the scars to heal and the scar tissue where I bit through my lip to subside to the point that I could drink out of a straw again) and concussion-free (pro tip: you DO. NOT. EVER. want a concussion), and clearly in possession of an added year's mouth wrinkles and silver foxiness.

[Super-fun side note: Aetna, in its infinite wisdom, abruptly stopped covering my Fetzima for two years and summarily rejected all three of my doctor’s allotted appeals. Because apparently risking sending me to the psych ward for another week was far more cost-effective than covering a proven psychotropic. So my doctor hoarded samples for me in the hope that Aetna would finally get its head out of its fetz (which it finally did last year) and/or Fetzima’s patent would expire, it went generic and it stopped costing $700/month out of pocket (which has yet to happen).]

Anyway, if you're inclined, raise a glass and yell Timber! in my scab-free, concussion-free, fog-free, not-functional-free honor today. I'm gonna go out and keep living. Timber!

Emma and the Aase

If you were making a move about sensible, salt-of-the-earth people and called Central Casting and said “Send me an old, stoic, self-sufficient Norwegian bachelor woman who can repair a roof and bake paper-thin sugar cookies all in one day … oh, and also who can terrify her sister’s young grandchildren at night because she looks like a floating Victorian ghost when she leaves her hair down,” you’d promptly have the white-haired, durably assembled Emma Christina Nystrom show up at your door in her homemade plaid cotton house dress.

Emma was my mother’s aunt, but she was always Aunt Emma to everyone from every generation in our family. She was part of a long line of my Norwegian forebears who practically built the entirety of Northeast Iowa, particularly Decorah and the sleepy bedroom-and-once-booming-train-hub community of Calmar just south of it.

My sister and I were kind of scared of Emma when we were kids. She wasn’t terribly demonstrable or huggy, she never told fart jokes, and she was completely deaf, which made it extremely difficult for us as kids to warm up to her.

A true child of the Depression, Emma never wasted a thing. She ate entire apples—even the cores, which kind of grossed us out. She turned her old dresses into quilts and eventually the quilt scraps became painting rags that she washed and reused until they crumbled into nothing.

 
She even darned her stockings and later her pantyhose, which made her look like she had alarmingly dark varicose veins running up and down her legs.

When her parents and grandparents (who only spoke Norwegian) got to the point that they needed constant care, Emma dropped out of business school to care for them and her younger siblings. And she never went back. She also never married, so she lived in Calmar her entire life caring for everyone and eventually for the house that her father had built and various generations of her family had lived in for almost a century.

Now, we Norwegians are of sturdy stock. Emma outlived her siblings and pretty much all her friends, and by the early ‘90s when she had to leave the family home and move into the nearby Aase Haugen Home For Sturdy Norwegians Who Are Finally Starting To Need Constant Care But Who Don’t Want To Burden Their Families, she was also in her 90s.

 
We drove up to Decorah to visit her in The Aase (as the locals and residents called it) as often as we could over the next few years. But her spirits were failing as fast as her body. She complained that all her friends and her entire family but us had died. She complained about the people assigned to her table at dinner time. She complained that she was just tired and was ready to go.

I was recently out of college and finally living in my first house about a mile from my parents. And in 1995 on Christmas Eve Day as we were busy cooking our traditional Norwegian Christmas meal at their house, we got a call from The Aase: Aunt Emma was failing fast and they didn’t expect her to last the night.

So Mom and I got in a car, left all the cooking and baking and table-setting and guest-entertaining to my dad and sister, and made the two-hour drive up to see her as snow gently covered all the Iowa farms and towns in sparkly white.

When we got there, Aunt Emma was in and out of consciousness and looking like she was indeed at death’s door. So we held her hands and adjusted her blankets to make her comfortable and sang Christmas carols with her.

 
At one point, we were finishing what we thought was the final verse of “Silent Night,” but Emma clearly knew the song better than we did because in her fog she barrelled into a final verse we only barely recognized. We did our best to sing along though. But only so she wouldn’t judge us in the afterlife.

As it got late, I realized we had no Christmas Eve dinner for the three of us to enjoy. The Aase’s kitchen had closed, so I jumped in the car and started driving around Decorah (in the prehistoric days before GPS phones and even Mapquest) to find something for us to eat.

You’d think a grocery store in a very Norwegian town would have Norwegian favorites in stock on Christmas Eve, but you’d be wrong. So I had to improvise: pre-packaged cups of Christmas-red Jell-O, Kaiser rolls (because Germany is in Europe so it’s practically the same as Norway) and cold cuts. It wasn’t much, but it would definitely become a memory.

But when I got back and we ate our bountiful feast, Emma started to rally. She was lucid and talking, and she and even the night nurse told us we might as well go home.

So Mom and I got back in the car and drove home through the snow-covered fields and little Iowa towns late on that Christmas Eve. We sang along with a “Messiah“ broadcast we found on the radio and talked about Emma and the end of an era she represented when she eventually dies, and we had a rather lovely time together.

But when we got home, everything was chaos … from a proper-Christmas-decorating perspective, and my sister begged us to never leave her alone with Dad on Christmas Eve again because he set the table like a toddler and made the Christmas trees on the Spode china crooked. CROOKED!

 
The next morning—Christmas Day—as we were finally enjoying our now-leftovers Christmas Eve dinner—ON CORRECTLY ORIENTED PLATES—we got another call from The Aase: Emma had died peacefully in her sleep that morning. And ever since then, her death has always added a poignant side note to our Christmas celebrations. But if you want to be remembered long after you’re gone—especially in a social-media post that gets re-posted every year in perpetuity—I recommend dying on a major family holiday.

Deaths are always sad, but Emma had certainly had a good, long run and we were all ready to let her go. And she was clearly ready to let go herself.

I don’t remember how we learned this next little tidbit because we certainly didn’t have the news on during Christmas, but we eventually found out about someone else who had died that same Christmas Day: Dean Martin. Boozy, handsome, king-of-cool Dean Martin had died on the same Christmas Day as prim, proper, sturdy, Depression-sensible Emma Christina Nystrom.

And as we pondered this odd little coincidence and mourned each person in our separate but very different ways, we all found ourselves asking the same obvious question:

What do you suppose Aunt Emma and Dean Martin are talking about as they wait in line together at the Pearly Gates?

Inpatient

After a year of unemployment in Chicago where I half-assedly looked for jobs and shuffled back and forth from Cedar Rapids, I more or less officially moved home ten years ago this month.

My bipolar disorder was escalating and I was seeing what I now understand was a hack psychiatrist (because how can you know what to look for and who’s competent when you’re new at finding mental health professionals and you’re crippled by a mental illness?) who kept prescribing medication after medication (including the anticonvulsant Depakote that I had NO business being on due to its highly problematic interactions with my Lamictal mood stabilizer) without following up or even letting me know what catastrophic side effects to look for. And my unmanaged Depakote cocktail was a living nightmare of day-long blackouts, terrifying hallucinations, and sleepwalking through what was thankfully benign but could have been fatal odd behavior.

Every psychotropic drug gives you temporary—sometimes awful—side effects as you ramp up on a new prescription and wean off of it when you find out it doesn’t work. And thanks to this doctor’s random changes of drugs and cocktails, I was in a constant state of up-and-down side effects that left me miserable and confused and unable to function in a multitude of ways.

On top of all that, I was newly single and living alone for the first time in seven years, which meant I didn’t have an extra brain in the house to remind me to take that litany of changing meds on their prescribed schedules.

So by the time I decided I was moving home, I was a mess. A catastrophic, dissociative, emotional-train-crash mess.

And as Christmas drew nearer and nearer, I found myself more and more overcome with panic and dread about holding myself together through our family activities, worrying that I’d ruin them for everyone and inevitably escalating even more.

I couldn’t breathe. I couldn’t think. I couldn’t comprehend.

I didn’t want to live.

So ten years ago today, my parents—my terrified, confused, helpless parents—and I together made the heart-wrenching decision that I needed to be hospitalized. Two days before Christmas.

The ensuing details are still hazy to me, but from what I can remember: I sobbed on our couch in Greek-tragedy emotional pain as I slowly wrapped my muddled brain around what I was about to do. Mom and Dad came with me to the emergency room. I was evaluated by a doctor. We were put in an empty holding room for four hours while they looked for an open bed, which they eventually—thankfully—found right there instead of in a hospital 200 miles away. We were taken to the mental ward where we first had to go through a room where Mom and Dad had to leave their coats and Mom had to leave her purse.

When we got in, I had to forfeit my coat and clothes and phone and basically everything but my glasses. I was given scrubs and hospital socks. I met privately with a doctor, who took me off every drug I was on and prescribed yet another new cocktail of drugs. Which meant more simultaneous ramping-up-and-down side effects.

And when I was finally done being triaged, I was given an opportunity to say goodbye to my parents and then I was escorted to my room.

I made one last look back as I was halfway down the hallway, and the looks on my parents’ faces—their anguish, fear and inconsolable sadness—will be forever seared in my memory.

And so will my feeling of complete, comforting relief from accepting the fact that all of this was bigger than I was, I could finally release the demons fighting inside me, and I was in the protective, hopefully healing care of people who could manage whatever it was that was tearing me apart.

Ten years ago today I launched into an unknown of what ended up being a full week in a locked mental ward in a hospital.

Ten years ago today I started yet another roller coaster of the disorienting, miserable side effects of changing medicines.

Ten years ago today I finally knew I was safe from myself, I was being cared for by experts, and for some reason what I found to be the most important: I wouldn’t ruin my family’s Christmas. I knew that not being there would be disruptive. But I also knew that being there would have been even worse.

Ten  years ago today, I started what would still be a long, bumpy road to healing, but I knew I was at least on the road to healing. It was one of the worst things I’ve been through and one of the best things I’ve ever done.

If you’re struggling with the out-of-control pain and confusion of mental illness, please know there’s no shame in asking for help—even to the point of being hospitalized—and putting yourself in the focused care of others.

There most likely won’t be immediate healing. But there will be hope. For you, your family and your support network.

There will be calming, restorative, essential hope.

Thirty-six years ago today ...

I’d finished my classes for the semester and my dad had come to pick me up from college for the holiday break. 1988 had been an emotional roller coaster for our family. We’d lost four family friends in a small plane crash Easter morning, my mom had undergone a radical mastectomy in October and she was just starting her first rounds of chemo before Christmas. I was in the middle of my junior year in college, and I’d finally found a major I was willing to stick with: English. But since I’d waited a full two years to admit to myself I always should have been an English major, I had a lot of catching up to do. And my first-semester courseload had been heavy.

December 21 is the winter solstice—the day of the year with the shortest amount of sunlight—but it was beautiful and sunny in Eastern Iowa that afternoon in 1988. And Dad and I had a nice chat over the 40-minute drive home. My family has always been close, so when we saw Mom standing in the driveway as we pulled up to the house, I figured she was just excited to see me.

But she was sobbing.

I assumed she’d gotten some bad news about her cancer while Dad was gone, so I jumped out of the car before it even came to a stop and I ran up to hug her. But the bad news was something entirely different ... something so random and so unexpected that the shock of the words literally didn't make sense to me: Miriam’s plane had gone down.

Miriam was a friend of mine who had spent the 1988 autumn semester in London studying under the auspices of Syracuse University. I’d just visited her over the Thanksgiving break, and we’d had an awesome time seeing the sights, exploring the museums and taking in all the shows we could afford on our college-student budgets. Among the four we saw were Les Misérables and what ended up being a definitive revival of Stephen Sondheim’s Follies. Sondheim was just starting to appear on our collective radar, and we both agreed that seeing Follies together was a mountaintop experience for us to have shared over our magical week together in London.

But by December 21, I’d come home, a whole month had passed and I’d been so caught up in my finals and holiday preparations that I’d had no idea Miriam was flying back to the States that day—much less what flight she was on. Neither had my mom. But our friend Jody in Ohio did. And when the initial reports that Pan Am flight 103 had disappeared out of the sky over Lockerbie, Scotland, started washing over the newswires, Jody had called everyone she could think of.

Mom and Dad and I raced to the family room and crowded around the TV that crisp, sunny Iowa afternoon to see what we could find out about Miriam’s plane. It was the early days of CNN and 24-hour news, so we were able to get (spotty) information right away about the mysterious crash, along with grainy images of the wreckage shining dimly in the emergency lights that were working so hard to pierce the solstice blackness six time zones away. Dimly seeing what we could of it and haltingly learning more and more about it over the next hours was at once horrifying and comforting, filling us with both hopefulness and helplessness.

Over the next few months and weeks, the world came to learn about the bomb, the Libyans, the retribution, the embargoes, the bankruptcies. We cautiously wrapped our brains around the unthinkable efficiencies of global terrorism at the dawn of the Information Age. And the friends and families of the victims of the 103 bombing started experiencing the bizarre dichotomy of watching our personal tragedy play itself out on the world stage.

In the years since Miriam’s murder, I’ve befriended her parents and friends. I’ve gotten in touch with the roommates she lived with in London, none of whom had been on her plane with her that day. I’ve written pieces about my relatively removed perspective on the bombing that were published in newspapers and scholarly journals and read on NPR. And since I had been in London and had hung out with a lot of the murdered Syracuse students a month before the bombing, I’ve actually been interviewed by the FBI.

And as I’ve grieved and matured over the last thirty-five years, I’ve discovered that I now tend to be efficiently emotionless when I learn the details of catastrophic tragedies like the 9/11 attacks and daily mass shootings and our catastrophic global pandemic ... though I’ll still burst into tears over emotional pablum like Christmas cookie commercials.

Thirty-six years ago today, the world learned what a volatile mix misanthropy and religion and blind nationalism can be in a global melting pot.

Thirty-six years ago today, Miriam and her fellow passengers and their families and friends learned violently and unwillingly about harsh brutalities that the rest of the world got the relative luxury of absorbing over time.

Thirty-six years ago today, I learned that the distant tragedies that so often happen to “other people” should never be observed as abstractions.

I discovered that news of plane crashes and acts of terrorism that play endlessly in 24-hour news cycles can be both disturbing and strangely comforting. I learned that life is precious, that there are no guarantees, that people who waste your time are robbing you of a personal and very limited possession, that small gestures can make heroic impressions, that your pain and suffering and anguish and heartbreak both do and don't make you special, that no matter how bad it gets you should work to find solace in the fact that it will probably get better … or at least easier.

Thirty-six years is enough time for someone to raise a child and send him or her off into the world. Enough time for nine presidential elections and five new Sondheim musicals. (Seven, if you count Saturday Night and The Frogs.)

It’s enough time for a gangly, unsure college boy to cycle through five cars and eight houses and eight jobs and three cities as he grows into a successful (more or less), confident (more or less) man.

It’s enough time for him to realize that the world is not fair. That bad things happen to good people. That the bad people who did them don’t always get punished. That horrible tragedy gets easier to accept over time, even though it remains impossible to forget. That the hate that some people burn into your heart never entirely leaves ... and that the smug, satisfied self-righteousness you experience when you finally see images of the bloodied, abused corpse of Moammar Gadhafi—who denied to his last hopefully excruciating, terrified breath every credible report that he'd ordered the Pan Am bombing—feels powerfully good.

I often wonder what Miriam would be if she were alive today. Tony-winning actor? International journalist? Have-it-all mom? She was among those people you just knew were going somewhere big with their lives. I’m sure that wherever the fates would have taken her, she’d be someone people knew about.

I also wonder if we would still be friends. We’d met that summer when we were singing and dancing in the shows at Darien Lake amusement park just outside Buffalo, New York. Our friendship lasted just seven months until she was murdered. I’m only barely in touch with the other friends I made at the park that summer. Miriam’s family and I aren’t in touch nearly as much as I’d like either (though her mother recently published a book of Miriam's writings along with essays from people who knew and loved her, including me).

Would Miriam and I have drifted apart as well?

Since at this point I’m the only one in control of our story, I choose to believe that by now I’d have sung in her wedding and befriended her kids on Facebook and marched in pink hats with her in Washington and lost countless hours texting ridiculous cat memes back and forth with her.

And I’m pretty sure she’d have written the same story for me if our fates had been reversed.

Thirty-six years ago today was the last, devastating act in a year that had shaken—and strengthened—my family to its core. It was the day my worldview changed from naive to guarded, from optimistic to cynical, from insular to secular.

It was the day my friend Miriam was murdered.

And it was just another day for most people.

And though the world continues to spin forward—as it should—and people’s memories continue to fade—as they do—I will never forget.

I'm dreaming of White Christmas

White Christmas is the dumbest, plot-hole-iest, staggeringly-implausible-storyline-iest movie ever made—and I adore every second of it. I used to host a party every year in Chicago and invite only the friends I knew were able to shut up for 120 minutes so we could all enjoy its ridiculous awesomeness together in peace. And then I usually watched it again on my own. And maybe one more time. I have yet to watch it this year, but when I do I might invite a few devotees to watch it with me who can do it QUIETLY AND RESPECTFULLY.

All that said, it still drives me NUTS that Rosemary Clooney runs (well, clomps in four-inch stilettos) away from Bing Crosby in a self-righteous fit over a laughably stupid misunderstanding that she could easily clear up with a simple question and then boards a train with a little satchel in which she's packed all her clothes, wigs, makeup, gowns, those ridiculously slouchy white sequined oven mitts she wears in "Love, You Didn't Do Right By Me" plus four of the Vermont dancer boys. And then she happily—yes: happily, despite the white-hot fury she had about Bing's appearance on TV that was so toxic it prompted her to sneak away from Vermont in secret—watches Bing's appearance on TV, suddenly has a mis-misunderstanding revelation, sneaks back to Vermont in the dead of night with her sensible orthopedic Army-issue oxfords in tow, ties up her understudy and throws her in a pile of horse manure (probably) and somehow absorbs all the "Gee, I Wish I Was Back in the Army" choreography out of thin air from some secret backstage rehearsal room in that drafty barn that apparently a cast of 1,000 people had mysteriously never even known about.

But those gowns!

And don't get me started on that overplayed "Sisters" number—it sure gets a LOT of mileage for having only one verse and an enormous dance break where Rosemary and Vera-Ellen basically just stand on stage and smile dewily at Bing and Doofusface (also: Don't get me started on Danny Kaye, the poor man's Donald O'Connor) while presumably the rest of the audience watches and thinks they're being somehow entertained by all that standing around.

But those gowns!

And Bing Crosby somehow croons “Count Your Blessings Instead of Sheep” after chugging a throat-gagging quart of buttermilk and Danny Kaye sings a COMPLETELY random song called "Choreography" even though he dances like an ostrich going through a middle-school gangly-boy phase and that mercilessly repetitive "Mandy" song has about eleven words that are all stupid and WHAT THE HELL IS THAT “MR. BONES” SONG? (It's a horribly racist throwback to minstrel shows, that's what it is.)

But those gowns!

From the Department Of Lies About Cute Boyfriends I Would Totally Date: Rosemary Clooney's and Vera-Ellen's "ugly" brother Benny (the one Bing Crosby unimaginatively calls "freckle-faced Haynes, the dog-faced boy" when they show him Benny's photo) is actually super-cute Carl Switzer, who had played Alfalfa in the Our Gang/Little Rascals films. So calling him ugly is nothing but CHRISTMAS LIES AND HOLIDAY PROPAGANDA.

But those gowns!

Did I mention Rosemary Clooney's ridiculously slouchy white-sequined oven mitts that turn "Love, You Didn't Do Right By Me" into a very fancy Easy-Bake Oven infomercial? I think I did, though they can never be overmocked. You should definitely call the police every time you see them.

But those gowns!

Special mention also goes to that fingernails-on-chalkboards “Snow” number where Vera-Ellen sings in clearly not her own voice about washing her hair with snow—which, I’m sorry, would be completely ineffective and unhygienic—and then they all make some grade-school-art-class mountains-and-pine-trees diorama that they shake some kind of readily-available-on-their-cramped-club-car-table fake snow on and every time they do it my mind goes right to the scene in The Breakfast Club where Ally Sheedy shakes her own dandruff on a drawing to make it look like it’s snowing.

But those gowns!

And then Vera-Ellen—who does the entire movie in funnel-collared outfits tailored to hide whatever the hell is wrong with her neck—descends from the sky in her tearaway Ostrich Barbie outfit and executes some wicked nerve taps WITHOUT EVEN WEARING TAPS, A FACT THAT SHE DISPLAYS REPEATEDLY AND UNAMBIGUOUSLY TO THE CAMERA.

But those gowns!

And the general is clearly on a laudanum binge in the attic of his hotel-theater as every U.S. war soldier past, present and future swarms all over the entire property and fills every hotel room not already taken by the swarm of singers, dancers, directors, and costume and tech crew members, and when they all finally surprise him they seat him at the table of honor behind a three-foot-tall cake that completely blocks his view of the show that they put together ESPECIALLY FOR HIM TO SEE.

But those gowns!

Nobody thought it would be one of the kids

Nobody probably thought the Boat Crew would last this long, actually.

When four young couples from the same Cedar Rapids Lutheran church rented a houseboat and sailed up and down the Mississippi River for a long weekend in the summer of 1971, nobody probably even thought it was more than a one-time vacation.

But the couples invited more couples and did it again the next summer, and the next. Over time, a few couples came and went, but the tradition lived on summer after summer. Eventually a core group of seven couples emerged, and the Boat Crew was established … and a vital extended family was born.

Unofficially (or officially, depending on your personal opinion) the group’s name was the Mississippi River Marching and Drinking Society. But “Boat Crew” was easier to say. And less complicated to explain to the couples’ children, who were all about the age of the Boat Crew tradition itself.

As lives and careers evolved, many of the couples moved away … but everyone came back summer after summer for what had become an annual gathering of Boat Crew family with bonds as strong as any biological family.

And that family bond extended beyond the relationship between the seven couples; their children often spent the Boat Crew weekends together in one couple’s house, under the probably exhausted watch of two or three weekend-long babysitters.

Naturally, the kids developed a family bond as strong as their parents’. They were unofficial siblings in an extended family network, and they felt confident in the parental love they received from every member of the Boat Crew.

As the summers passed, the Boat Crew bond continued to grow and strengthen, especially over a developing collection of in-jokes, funny stories and traditions that became almost sacred. The most prominent tradition was Joy. It started when one couple brought a large white flag emblazoned with the word Joy in bright colors and displayed it on the ship’s mast. The flag appeared every summer, and eventually it inspired the regular exchanging of Joy-festooned knickknacks, shirts, Christmas ornaments (all collectively over the years described as "Joy shit") and even one summer little bottles of Joy dishwashing soap.

Music—an integral part of the Lutheran church where they all met—was just as important to the Boat Crew. The group contained many talented singers, and as they gathered under the stars with a guitar and a couple bottles of wine each summer, they sang hymns and folk songs and show tunes and whatever else they could think of. Their unofficial anthem was “Beautiful Savior,” which they sang together—in full, glorious harmony—on every gathering.

As the kids grew over the next four decades, the Boat Crew also started convening off-season for confirmations and graduations and weddings and grandchildren and the occasional family tragedy … and the inevitable deaths of the Boat Crew couples’ elderly parents.

And through it all, the Boat Crew became a bit of a statistical anomaly: seven couples who lived into their 50s and 60s and 70s and now 80s … and stayed friends … and stayed married … and stayed alive until the first ones passed away in the last few years.

As they started to retire from their jobs and prioritize grandparent obligations over Boat Crew gatherings, the group wasn’t always able to find a summer weekend that all seven couples could attend. And the “boat” part of Boat Crew became a bit of an anachronism; the summer reunions were happening now in Bed and Breakfasts overlooking the Mississippi instead of boats on the Mississippi.

And as they started to navigate the medical infirmities and physical indignities that come with age, the Boat Crew members started to contemplate their own mortality. Never ones to face life with fear or even reverence, they were realistic that eventually they were going to start dying … and they were not above having betting pools over who would go first.

But it never occurred to anyone that the first to die might not be one of the adults.

Robbie (who as an adult called himself Robert but I’d known him since we were toddlers and I could never think of him as anyone but Robbie) was 42, pretty much right in the middle of the range of ages of the Boat Crew kids. He started getting sick 13 years ago last summer, but he didn’t think it was much to worry about: just some lower back pain, fatigue and abdominal discomfort. But then the guy behind the Chicago neighborhood deli counter where he went every day told him he looked yellow. And he became painfully constipated. And on a trip home to see his parents in Iowa, he decided to see a doctor.

And that’s where he found out.

Colon cancer.

Stage 4.

Colon cancer patients at stage 4 have an 8-15% chance of being alive five years after diagnosis. And Robbie, forever the optimist, dove right into surgery and chemotherapy while his parents took care of him in their home.

But it quickly became obvious that he was losing the battle. And as he eventually slipped into a coma, his parents—buoyed by the love and calls and texts and emails of Boat Crew members across the country—kept a vigil by his bed.

And six weeks after his diagnosis—six weeks after driving himself and his two cats seven hours from Chicago to his parents’ house, five weeks after walking into the doctor’s office with what he thought were just stomach pains, three weeks after cheering on friends in the Chicago Marathon via Facebook—Robbie drew his last breath, sending waves of shock and devastation throughout his extended Boat Crew family.

Robbie’s father had died of cancer 40 years earlier, before the Boat Crew had been officially established. His widowed mother and the man who eventually became her next husband had been regular Boat Crew members from nearly the beginning.

While she was still single, though, she and Robbie had taken vacations with our family a number of times, often to Adventureland amusement park in Des Moines, Iowa, and once on a Bicentennial road trip to Philadelphia to see the Liberty Bell and to Washington, D.C., to see pretty much everything else associated with America’s birth.

Robbie and I went to different high schools and colleges, but we eventually both found our ways to Chicago. We kept seeing each other at Boat Crew gatherings, but we’d slowly drifted apart … as had many of the Boat Crew kids as we scattered about the country and built our own families.

Robbie’s parents and mine, of course, had stayed fast Boat Crew friends. And when Robbie was facing the first weeks of his cancer treatments, my parents made a trip to Des Moines to stay with them.

Robbie died 13 years ago today. Even though I knew it was inevitable, I was more choked up than I’d expected to be when I got the call. We hadn’t seen each other in probably five years. And I knew that he was no longer suffering through an excruciating illness. But his death—especially as a Boat Crew kid and not an adult—was a shock to all of us … and an indescribable devastation to his parents. And though nobody in the extended Boat Crew family has died since Robbie did, we are all tacitly preparing ourselves for the next passing.

But for the first time in many years, the entire Boat Crew—along with a handful of Boat Crew kids—dropped everything in their lives and appeared at the funeral. Forever part of the family, we walked in with Robbie’s parents and biological family members and were seated right behind them. And when the congregation sang “Beautiful Savior,” the Boat Crew’s beautiful harmonies rose above the music as if to lift Robbie to whatever awaited him in the afterlife and remind him of the loving extended family he’d been a part of on earth.

His parents asked me to be one of his pall bearers, which I accepted as an honor. Escorting a lifelong friend to his grave is overwhelming—especially when we’re both so young—but I felt giving him a solemn, respectful final journey was the best gift I could give him.

He was family, after all.

World Mental Health Day

Today is World Mental Health Day, an annual global event started in 1992 at the World Federation of Mental Health to promote awareness, education, understanding and advocacy for those of us suffering from mental disorders, the caregivers we sometimes desperately rely on, and the larger populations in which we live and often struggle to navigate every day of our lives.

In this spirit of awareness, education, understanding and advocacy, I'm offering here a view from inside the bipolar volcano hurricane that I wrote years ago as I was emerging from a distinctively catastrophic episode:

Sometimes being bipolar means waking up with your head covered in a gray wool blanket in the middle of a hot drenching rain and the weight of it is practically crippling but you know you're not depressed and you know you're not confused and you know you can breathe and you know you're invested in fighting your way out so you treat every blink and every word and every thought as fuel that sparks the next blink and the next word and the next thought and even though you're foggy and slow and maybe even late you're MOVING and no matter how long it takes and how hard you have to work just to achieve your minimum for now you know that it's just for now and you'll sooner than later find your way out of that hot wet scratchy gray wool blanket and you'll know from hard-fought experience that you may not have the power to make the rain go away but you have the tenacity and the fortitude to outlast it and find your clarity and focus again in the warm, restorative sunlight it was trying to hide from you and even though you're never entirely sure you know exactly what that unclouded sunlight feels like you'll always get close enough to know what you're fighting for and how to be stronger and smarter and even more certain of your indestructibility the next time.

Art: Skeletons Fighting Over a Pickled Herring, James Ensor

At first glance, James Ensor's 1891 Skeletons Fighting Over a Pickled Herring is perhaps a silly take on Halloween imagery. Or an homage to the memento mori ("remember that you [have to] die") traditions of Medieval and Renaissance art that placed skeletons, skulls and other symbols of mortality among the world and activities of the living. Or a metaphor for the last gasps of Impressionism and its emphasis on color and light at the expense of representational accuracy.

While the latter probably has a grain of truth to it—Impressionism in Europe had largely been killed by the emotional distortions and manipulations of Expressionism by 1891 (think of Edvard Munch's 1893 The Scream)—the skeletons and the pickled herring in Ensor's painting were more along the lines of prescient precursors to the illogicalities of Surrealism and the unorthodox silliness of the Avant-Garde.

And they were totally about his pettiness.

Ensor actually painted Skeletons Fighting Over a Pickled Herring in response to negative reviews of his work. In his world of distortions, illogicalities and silliness, the art critics are the skeletons (one with a few wisps of hair on his otherwise balding head, the other with an ostentatious hat that's failing to make him look important) and Ensor is the pickled herring. And the whole idea is bizarre and probably lost to everyone to whom it hasn't been explained.

Today, though, Skeletons Fighting Over a Pickled Herring is a relatively obscure work of dark humor with light-hearted imagery that starts 21st Century viewers down the path toward the increasingly spooky, scary traditions of modern Halloween. So enjoy its silliness now. And be sure to lock your doors and hide your pickled herring before the end of October.

Tributes: Edward Albee

There is a moment near the end of The Goat, or Who is Sylvia?—Edward Albee's 2002 tour-de-force play exploring the outer limits of love, fidelity, morality and tolerance—where the emotional crisis at the center of the narrative boils over into such catastrophic levels of heartache and rage and such Greek-tragedy levels of destruction and retribution that the first time I saw it—and the second time and the third time and the fourth time—the audience collectively gasped to the point of almost screaming and then sat rigidly and almost palpably silent until well after the final stage light had extinguished and the last emotionally drained actor had silently moved into position for the company bow.

It's one of my two favorite—if there even exists a favorite-not favorite continuum of cataclysmic emotional destruction—moments in modern theater ... the other being the last three seconds of David Mamet's Oleanna before the stage becomes abruptly, dreadfully dark.

He's largely a genre unto himself, sit's difficult to pigeonhole Edward Albee as a playwright. He wrote or adapted about 30 works that embodied movements like Theatre of the Absurd and brought popular works of narrative fiction like The Ballad of the Sad Café and Breakfast at Tiffany's to the stage and screen.

My favorite Albee works—Who's Afraid of Virginia Woolf? (embodied in this movie still by the incrementally calculated Richard Burton and desperately braying Elizabeth Taylor playing the American-experiment patriarch and matriarch George and Martha [the latter of whom the script deliciously describes as "large, boisterous woman, 52, looking somewhat younger"]), The Play About the Baby and The Goat, or Who is Sylvia?—all share the format of four characters on stage interacting to varying degrees with one character who may or may not exist offstage. It's an intriguing conceit, and one that keeps bringing me back to these three plays for my own contemplation. In an odd double standard, though, I can't stand reading them; the characters for me seem to be clumsy and dry with no meaningful depth on the page, but they grant a glorious latitude for actors to make fascinating choices as they flesh them out.

Today is the eighth anniversary of Edward Albee's death. I'm not one to be sad when famous people I've never met pass away—and having seen only seven of his works (that I can remember) I'm certainly no slavish Albee devotee—but I'm profoundly thankful for the emotional roller coasters he's put me on in various theaters over the years ... and for the body of work he's left that I can continue to explore in my own way in my own time.

I have a couple favorite quotes from these works that I'd love to mention here in closing, but they're all potential spoilers. So I'll just lift a glass of bergen to his memory.

#Pride101: What the hell do LGBTQ+ people have to be proud of?

We’re proud because despite decades and decades of relentless persecution everywhere we turn—when organized religion viciously attacks and censures and vilifies us in the name of selective morality, when our families disown us, when our elected officials bargain away our equality for hate votes they try to disguise as so-called “religious liberty,” when the entire Republican party perpetually enshrines a pledge to strip us of our legal equalities in its national platform, when communities and cities and entire states keep trying to codify our families into second-class citizenship, when small-importance bakers with the backing of the big-money hate industry take their unhinged loathing of us all the way to the Supreme Court, when our employers fire us, when our landlords evict us, when our police harass us, when our neighbors and colleagues and fellow citizens openly insult and condemn and mock and berate and even beat and kill us—we continue to survive.

We’re proud because pride is the opposite of shame—and despite what systemic bigotry and the ugliest sides of organized religion work so hard to make the world believe, there is nothing shameful about being gay.

We’re proud because—thanks to the incredible bravery shown by gay people who lived their lives openly sometimes to the point of being defiantly in the decades before us—we can live our lives more and more openly at home, at work, with our families, on social media … and even on national television.

We're proud because we've worked tirelessly to achieve legal equality in marriage, adoption, parental rights and many other ways that make our families recognized as Families in our states and across our country. And though we have much more to accomplish—and though bigotry disguised as morality and religion and the supposed mandates of constituents work and sometimes succeed at eroding our newfound equalities—we have the momentum and intelligence and motivation and humanity and ability to keep driving back the hate as we continue to drive forward with both our newfound and future equalities.

We’re proud because in just the last few years an openly gay married man was a long-viable, highly qualified, unquestionably respected candidate in the Democratic presidential primaries and who’s now our country’s secretary of transportation—something most of us never even considered would EVER happen—and not only does he enjoy enthusiastic support across the Democratic party, but leading Republicans seem to have learned that while they can attack him for reasons they’d attack any other candidate, attacking him for being gay is completely unacceptable.

We’re proud because through our tireless work and the prevailing powers of common sense and compassion, Don’t Ask Don’t Tell and Proposition Hate and the so-called Defense of Marriage Act long ago collapsed onto their illogical, immoral, meritless foundations … and new legislative attempts to dehumanize us—especially during election cycles—gain little to no traction or visibility and soon die on the trash heap as well.

We’re proud because we are smart enough to overcome the self-loathing that our venomous, mindlessly theocratic society forces on us, and we have the power to stop its destructive cycle by fighting back and by making intelligent choices involving sex and drugs and money and careers and relationships and the way we live our lives—and by using our lives as examples of success and humanity and love that other gay people can see and respect and emulate and achieve more and more easily.

We’re proud because after all we’ve been through, the world increasingly continues to notice and respect us and enthusiastically appropriate the often fabulous culture we’ve assembled from the common struggles and glorious diversity of our disparate lives.

We’re proud because more and more often and in more and more contexts our country and our culture see the fact that we’re gay as unthreatening and commonplace and frankly boring.

We’re proud because our tireless efforts to be seen have engendered (which is the perfect verb in this context) massive visible support for us with rainbows and Pride messages on everything from clothing to flags to television commercials—and while we can legitimately be worried that companies are merely riding the Pride wave for profit, we can also celebrate that the explosions of these rainbows on our apparel and flags and televisions overwhelmingly normalizes the understanding that we have a place at the table and a presence in our communities.

We’re proud because especially during this past Pride month and always all year we’re celebrating with parties and street fairs and parades—all mostly virtual in 2020 and 2021—that are overflowing with drag queens, leather queens, muscle queens, dad-bod queens, glitter queens, nonbinary queens, you’d-never-know-they-were-queens queens, people who prefer not to be called queens and even straight-but-honorary-queens-for-a-day queens, and together we can see beyond the pride in the parades of our lives and together celebrate the underlying Pride in the parades of our lives.

We’re proud because 55 years ago a small crowd in a bar in New York City reached the tipping point in putting up with endless harassment and oppression and instigated a violent retaliation to a police raid that escalated to a week of riots and then to a march for equality that grew unstoppably to a national movement for equality and respect that continues proudly to this day.

Quite simply, we’re proud that we have so incredibly much to be proud of.

Floating through Chicago Pride

I didn’t really know anybody by the time the first pride parade happened soon after I moved to Chicago. So I went by myself to watch it. And, standing among thousands and thousands of cheering, smiling, happy, proud people who were watching with groups of friends and waving at other friends who squeezed by on the crowded sidewalks, I never felt more alone.

 
It was actually so devastating in my mind that pride weekend literally filled me with dread for the next 15 years I lived in Chicago.

I did notice that first year that the people dancing and waving on the floats looked very happy—and they didn’t have to be surrounded by friends or even anybody as they enjoyed the parade from their glorified perches. So I made up my mind that I needed to make the connections to get myself on a float by the next pride parade.

 
As I slowly—finally!—made Chicago friends and watched the next few parades with them, I still harbored an irrational, unshakable dread that I’d lose them—or they’d actually leave me—and I’d be alone all over again in the crowds. So I kept trying to figure out how to get myself on a float.

 

Then I joined the Chicago Gay Men’s Chorus. And we marched in the parade! But not on a float. And I very very stupidly decided to wear my rollerblades and they hurt and I was bad at stopping so I kept running into people and I was so miserable I had to hobble home the moment it was over so I couldn’t hang out and celebrate with anyone afterward so as far as I’m concerned the whole experience didn’t count and I don’t want to talk about it.

 
Then! Finally! I got on a float! And let me tell you: Though standing in a Speedo sucking in your abs and holding on for dear life on a lurching, frequently stopping vehicle technically sucks all the fun out of it, having hundreds of millions (in my fantasies my math says I have hundreds of millions of adoring fans so shut up) of people screaming and cheering for you is ALMOST as awesome as dancing and waving high on a moving platform where the cooling breezes are plenty, the jostling crowds are penned up on the sidewalks below you and the scenery changes by the second to keep everything interesting.
Plus you get to dance to your favorite disco hits.

 
I got myself onto many more floats for the rest of my years in Chicago. The weather was always perfect, my cheering, adoring fans swelled into the billions (shut up), and the joy and pride were always plenty. And my irrational dread—though never gone—was always in check.

 
This weekend is Chicago’s Pride parade. My Facebook and Instagram feeds are already filled with joyful, excited, rainbow-colored pictures of my Chicago friends and acquaintances already celebrating, and while I’m thrilled and proud to have (eventually) been a part of those traditions, our dramatically more subdued Cedar Rapids Pride festivals are now WAY more my speed. And not my Speedo.

 
So I wish all of you celebrating Pride in Chicago and everywhere else—whether on the sidewalks or on a float—an awesome day and an awesome experience both personally and with everyone around you. I’ll be folding laundry and digging in my garden and tackling DIY projects and running whatever miles my knees will allow in a vain attempt to not stray too far from my underwear-on-a-float body.

So happy Pride to all of us!

#Pride101: The Stonewall Uprising

Fifty-five years ago today, the New York City police raided the Stonewall Inn—a mob-controlled gay bar in Greenwich Village that catered mostly to drag queens—in an ongoing campaign of harassment and intimidation specifically targeted at people wearing clothing that didn’t conform to the conventions of what the laws called their “assigned gender.” These arrests usually led to people’s names, photographs and home addresses being published in the newspapers … which carried the high risk of further targeting, job loss, eviction, and family ostracism.

Usually the bar patrons submissively complied as they were being arrested. But this night—clearly fed up past their breaking points—they fought back. When an officer clubbed a Black lesbian named Stormé DeLarverie over the head for complaining that her handcuffs were too tight, the crowd that had gathered outside the club had had enough. Marsha P. Johnson, a Black drag queen and beloved heart of the community, and Sylvia Rivera, a popular Latinx queen, were two of the first to actively resist the police that night, and their fellow queens joined them in throwing bricks, bottles and shot glasses at officers and effectively shutting down the raid. I’m including these people’s ethnicities and orientations here to give credit to the non-white, non-cis-presenting people who showed the courage and gumption to initiate the fight back and start what ended up being six days of riots in the neighborhood surrounding the Stonewall Inn that finally ignited a national fight for the rights and equalities that *everyone* under the LGBTQ+ rainbow enjoys today.

Stonewall wasn’t the first riot in defiance of police raids and harassments; in 1959 angry gays fought police after a raid of Cooper’s Do-Nuts—a gay-friendly diner—in Los Angeles, and in 1966 a trans woman threw a cup of hot coffee in a police officer’s face in a raid at Compton’s Cafeteria in San Francisco, sparking a riot that inspired the city to acknowledge the trans community and develop a network of trans-specific social, mental-health and medical services.

But Stonewall was the emotional—and ultimately cultural—turning point. The police raid there quickly drew a large mob whose collective lifetimes of oppression and discrimination boiled over into a violent revolt that trapped police in the bar until the NYC Tactical Patrol Force was dispatched to rescue them. Riots erupted the next night and through the week in the Christopher Street and other nearby gay neighborhoods, including one mob that threatened to burn down the offices of The Village Voice for mocking the gay rioters and describing the riots as "forces of faggotry" and "Sunday fag follies." The next year, an organization called Chicago Gay Liberation organized a parade on the anniversary of the Stonewall riot, and the city has staged a parade on the last Sunday in June ever since—with the 2020 COVID-19 pandemic causing the first exception.

Now, every major metropolis and many smaller cities have Pride parades and events—though in 2020 and 2021 they were mostly held virtually—and many of them usually spill beyond the last week of June to pop up in celebrations all month and all year.

But June is officially Pride month in the hearts and minds of LGBTQ+ people—and an exploding population of straight people and businesses large and small—and we owe it all to the brave LGBTQ+ people—more specifically, the extremely marginalized drag queens and people of color—who had had enough and fought back at great risk to themselves and even to our community and started our slow march toward equality fifty-five years ago today.

THIS IS WHY WE CELEBRATE PRIDE.

#Pride101: Marriage equality

Nine years ago today, the Supreme Court ruled in Obergefell v. Hodges that same-sex couples are guaranteed the right to marry under both the Due Process Clause and the Equal Protection Clause of the Fourteenth Amendment to the United States Constitution.

Marriage inequality had been enshrined for decades in a “one man and one woman” state-by-state propaganda crusade—which cycled up to fever pitch in every election cycle—led without irony or shame by “sanctity of marriage” charlatans and adulterous divorce junkies like Newt Gingrich, Rudy Giuliani and Rush Limbaugh.

The Republicans’ desperate “states’ rights” argument also subjected couples to being married then being not married then being married ad infinitum every time they crossed state lines as they traveled—which is not only ridiculous and cruel, but also engendered very real concerns about the couples’ rights regarding hospital visits and property ownership if they had accidents in marriage-hostile states.

The fight against our equality made us perpetual punching bags and political props by the Republican party and the religious right, who positioned themselves as the only moral authority on the issue as they tore apart families, turned citizens into pariahs, and incited both verbal and physical violence against gay people who wanted nothing more than basic equality that posed no plausible threat or danger to anyone.

Republicans’ longstanding argument that same-sex marriage would undermine and destroy heterosexual marriage was desperately ridiculous and honestly called into question the stability of the heterosexual marriages of everyone who parroted this talking point.

The LGBTQ+ community was forced to organize and fight our way through endless battles and setbacks in the lower courts and then wait on pins and needles when our equality finally reached the purview of the Supreme Court, which in the height of the 2015 Pride month finally issued its 5-4 party-line verdict that our relationships are, in fact, equal and legally valid. And despite this, we’re still forced to combat hostile anti-equality eruptions that pop up every election cycle in red and swing states that need to sway voters by manipulating their baser instincts.

But for the last nine years, those of us who want it and all of us who’ve fought for it have finally been able to enjoy the stabilities and joys and ups and downs and contentments of legal and social marriage equality.

THIS IS WHY WE CALL IT PRIDE.

Pride 101: Protester hate

Virtually every pride parade and public LGBTQ event draws a crowd of hate-filled, mouth-frothing religious bigots carrying massive-lettered, professionally printed signs (that always use the playground word “homos,” always say we deserve AIDS and ALWAYS obsess about gay sex) and screaming at us with bullhorns, trying to goad us into physical fights so they can videotape them and whimper to the police and public about the cruel persecution they endure just for violently perverting their First Amendment rights.

At bigger events like the Chicago Pride Parade, they're walled off in pens like the rabid swine they are at the end of the routes where they're more of a nuisance than a violence-inciting threat—and so they can ruin the joys and kill the highs that people in the parades have experienced and inspired along the routes. But at smaller events like the Cedar Rapids Pride Fest, they wander freely in much smaller numbers at the perimeters, hauling massive signs as if they were crosses, yelling into bullhorns and goading us from afar so they can run like the cowards they are if they feel outnumbered and/or want to stoke their wannabe persecution complexes.

 
(Cisgender straight people: Raise your hands if you’ve ever endured any of this for being affectionate in public, having wedding photos taken outdoors, being seen with your kids or just basically existing.)

But despite these relentless, organized, violence-inciting attacks, LGBTQ people and our allies keep showing up to our Pride events, not letting the bigots’ cruel, puerile, relentless harassment undermine our celebration of who we are and how far we've come.

THIS IS WHY WE CALL IT PRIDE.

Pride 101: Supreme Court Employment Protection

Four years ago today, the Supreme Court ruling protecting gay and transgender workers from job discrimination and outright firings kicked the right-wing propaganda machine into high gear as it blustered predictably on and on about about “activist judges,” “religious liberty” (note: “liberty” is a right-wing dogwhistle that translates to “legal protection for hating LGBTQ+ people”) and the especially-laughable-in-the-context-of-its-adultrous-presidential-administration chestnut “family values.”

Right on cue, people like the homosexuality-obsessed Franklin Graham called the ruling “a very sad day” because he’d be “forced to hire” filthy gay and transgender people—and he cloaked his lust for hatred and discrimination as “a traditional Christian ethic” with the clear subtext that he and his brand of Christian cover story hold the monopoly on ethics and morality in this or any other discussion that fires up his mouth-frothing base.

But the fight is far from over. The May 2022 leaked draft of a Supreme Court ruling that would overturn Roe v. Wade left room for the conservative-majority Supreme Court to overturn its 2015 ruling in favor of marriage equality. And when Roe v. Wade was (as predicted) overturned in June 2022, Democrats in Congress had to pre-emptively write and negotiate to pass with Republicans the Respect for Marriage Act, which codified protection of same-sex marriages into law so the Supreme Court couldn't touch it.

Imagine being such a shitty Supreme Court that the President and Congress had to make laws to protect its citizens from you.

Cisgender heterosexuals: Have you ever needed a Supreme Court ruling to protect you from being fired just for going to work? Have you ever felt threatened enough that you had to lie about yourself and your relationships just to keep your job? That’s how bad things still were for gay and transgender people in 2020, more than half a century after the Stonewall Riots that sparked our collective demands for equality, justice and our right to live in peace.

It’s why we still have to carry the campaign and continue the fight and rely on your support and advocacy in our struggle TO THIS DAY to achieve basic, foundational equality so we can hopefully just exist without fear from repercussions incited by so-called moral leaders like Franklin Graham. He and his ilk are stubbornly not going away, but as the 2020 ruling shows, we keep making incremental progress toward maybe one day being able to live our lives free from their manufactured hatred and fear—and the destruction it causes in our lives.


THIS IS WHY WE CALL IT PRIDE.

CedaRound: The Drowning

Though I was living in Chicago at the time, I was in Cedar Rapids 16 years ago today to visit my folks for their June 14 anniversary. My boyfriend at the time and I had heard stories of looming flooding, and even though the rains and the swollen rivers diverted us north from highway 30 at Mt. Vernon and sent us into Cedar Rapids on Mt. Vernon Road, we still never believed Cedar Rapids could have serious flooding. I mean, it's CEDAR RAPIDS. I grew up here. How could anything bad happen?

By the time we finally got to my folks' house late on the 13th though, the flooding had become serious enough that the city's last intact water pumping station was in such danger of being breached that the urgent call went out on the news for volunteers to sandbag it. Though we'd had a 5-hour drive, we wanted to go out and help, but by the time we had a quick bathroom break before heading for the door, the news announced that they'd already gotten all the sandbaggers they needed. Which was a clear harbinger of the resilience our city would soon show. But at the time it was dark and late and we were 32 blocks from the river so all we could do was go to bed and wait.

The next morning, the footage on the news was devastating. The river had crested at 31.12 feet—19 feet over flood stage—and our entire downtown was drowning, as were 1,300 blocks of the city on either side of the river. Office buildings and banks and stores and my beloved theaters were almost up to the tops of their doors in water. All three bridges that cross May's Island to connect the east and west sides of the city were completely submerged. The Time Check and Czech Village neighborhoods were annihilated, with many houses underwater to their roof lines. The highly elevated I-380 was the only way to get across town, though all of the entrance and exit ramps in the flood zone were submerged. We—like seemingly everyone else in the city—drove slowly along the highway and peered out our windows to survey the devastation as the flood waters rippled mere feet beneath us.

As the water slowly receded, the city reeled over the destruction of homes, the closing of businesses, the undermining of infrastructure ... but never the loss of spirit. The city leaped almost immediately into action to tear down what was unsalvageable, repair what was repairable, clean up what was messy and dangerous, reimagine new life and purpose for what was destroyed, and start to recover and relocate and rebuild ourselves into a newer and better and more thoughtfully redesigned shining city on the river. We now have our vibrant and ever-expanding NewBo district and its neighboring Czech Village restoration, we've literally picked up and moved an entire museum to higher ground, we've creatively and beautifully incorporated new levees and berms into inviting public spaces, we've used the opportunity to upgrade and restore historic buildings, we've turned our once-desolate-after-5:00 downtown into a destination area bustling with restaurants and entertainment (well, before covid hit—but it bounced back as soon as returning was safe) ... and we've salvaged and restored and improved and polished up my beloved Paramount and Iowa (home of Theatre Cedar Rapids) theaters.

The flood was awful and heartwrenching and devastating. Many businesses never recovered. Many homes and families and lives have been forever changed. And our renaissance is perpetually ongoing and far from complete; in the last decade-plus, we've brought to life a towering modern addition to the stately Chicago-school American Building, built an expanding Habitrail of downtown skywalks, converted all the downtown one-way streets into two-way to feel more like friendly streets than impersonal expressways, incorporated towering, visually referential berms into the natural features along the river lowlands, and built many massive, architecturally interesting mixed-use buildings in the vibrantly revitalized Kingston Village neighborhood.

There was one sliver lining linking the 2008 flood that destroyed the center of the city to the 2020 land-hurricane derecho that destroyed enormous amounts of the entire city: The blocks and blocks of still-empty land in what was left of the flood-destroyed Time Check neighborhood became the primary dumping ground for the thousands and thousands of derecho-felled trees that the city slowly hauled away from everyone's property. It was centrally located, it offered a LOT of land and it made a mighty monument to the destruction the city endured. Driving by it was both breathtaking and heartbreaking. But also reassuring in that it provided a useful place for the city to dump the trees it collected and get back out to collect more as efficiently as possible.

Aside from the before-and-after photos of my dad's office, where he thought two levels of concrete blocks would protect his antique roll-top desk from the floodwaters that eventually submerged his entire office past its ceiling, the pictures I'm posting here aren't mine. But they show the depth and breadth of the destruction we all faced and make a great reminder of how amazingly far we have come in the last ten years.

So happy floodiversary, Cedar Rapids! May we keep our recovery and flood-protection development speeding along forevermore. (And don't forget to wish my folks a happy 60th anniversary tomorrow.)

Third Street looking south from First Avenue. You can see the old Theatre Cedar Rapids marquee on the left.

Theatre Cedar Rapids. All the First Avenue storefronts on the left were shut down after the flood, and the space became the awesome new Linge Lounge.

Dad’s office—and beautiful oak roll-top desk—before and after the flood. The desk was unsalvageable, and everything in it got ripped out and carried away by the floodwaters.

1,300 blocks on both sides of the river were submerged—some under more than 10 feet of water.

Those ghostly lines in the water are the totally submerged bridges that cross May’s Island as they connect the east and west sides of the city.

That’s normally-high-in-the-sky I-380 snaking through downtown with floodwater submerging its ramps and lapping at its floors.

The massive crown-jewel National Czech & Slovak Museum & Library building on the lower right was actually lifted and relocated to higher ground after the flood.


We parked this string of train cars on this essential train bridge before the flood to weigh it down so the floodwaters wouldn’t wash it away.


We parked this string of train cars on this essential train bridge before the flood to weigh it down so the floodwaters wouldn’t wash it away.


Entire neighborhoods. Families’ lives. Wiped out. No words.


The floodwaters floated the Mighty Wurlitzer organ console two stories from the bottom of the Paramount Theater orchestra pit to above the stage, where they dumped it like a dirty carcass.

Pride 101: Straight Pride

The right-wing privileged majority loves to claim oppression when any minority inches toward achieving any level of equality.

Read any right-wing social-media feed (or don’t—not reading right-wing social media is truly self-care) and you’ll see manufactured outrage claiming that [these are all things I’ve repeatedly seen and no doubt there’s a lot more]: 1) white people have completely disappeared from advertising, 2) it’s soon going to be illegal to be straight, 3) the Left claims to be tolerant but it’s sure not tolerant of oppressive, discriminatory beliefs, 4) when is it going to be White History Month? 5) there’s an entire Pride month but we don’t have any days or months celebrating our soldiers [you’d think people who pretend to respect the military would know that November 11 is Veterans’ Day, May is Military Appreciation Month and Memorial Day honors fallen soldiers], and this perennial flavor of the month: 6) why isn’t there a Straight Pride month/day/parade?

Here’s my short, all-purpose response to people demanding some sort of Straight Pride nonsense (and feel free to copy, edit and paste it everywhere you deem necessary): “If it’s so important to you, make it happen instead of whining about it deep in the comments under an obscure Facebook post. The gays figured it out. Why can’t you?”

And if someone responds with more whining about a fear of woke backlash, say this: “You sure don’t sound very proud.”

This has never not shut down the discussion. Because their manufactured-oppression arguments are laughably inane.

Pride month celebrates the LGBTQ+ community’s incremental victories over legal and physical oppression. It was literally illegal to be or even seem gay in America for centuries. We were hunted, arrested, evicted, disowned, beaten and murdered for just being ourselves. But as early as the 1950s we started fighting back, changing perceptions, changing minds, changing laws and taking control of our narrative.

The battle will clearly never end, but we as a still-in-many-ways-oppressed minority have created a robust Pride movement that’s celebrated across many different months in many different cities and countries around the globe. The straight majority can’t even achieve an hour-long Straight Pride celebration. They’d rather appropriate our oppression than acknowledge their own privilege. And we will always have the moral, logical, humane, loving high ground.

THIS IS WHY WE CALL IT PRIDE.