CedaRound: The Drowning

Though I was living in Chicago at the time, I was in Cedar Rapids 18 years ago today to visit my folks for their June 14 anniversary. My boyfriend at the time and I had heard stories of looming flooding, and even though the rains and the swollen rivers diverted us north from highway 30 at Mt. Vernon and sent us into Cedar Rapids on Mt. Vernon Road, we still never believed Cedar Rapids could have serious flooding. I mean, it's CEDAR RAPIDS. I grew up here. How could anything bad happen?

By the time we finally got to my folks' house late on the 13th though, the flooding had become serious enough that the city's last intact water pumping station was in such danger of being breached that the urgent call went out on the news for volunteers to sandbag it. Though we'd had a 5-hour drive, we wanted to go out and help, but by the time we had a quick bathroom break before heading for the door, the news announced that they'd already gotten all the sandbaggers they needed. Which was a clear harbinger of the resilience our city would soon show. But at the time it was dark and late and we were 32 blocks from the river so all we could do was go to bed and wait.

The next morning, the footage on the news was devastating. The river had crested at 31.12 feet—19 feet over flood stage—and our entire downtown was drowning, as were 1,300 blocks of the city on either side of the river. Office buildings and banks and stores and my beloved theaters were almost up to the tops of their doors in water. All three bridges that cross May's Island to connect the east and west sides of the city were completely submerged. The Time Check and Czech Village neighborhoods were annihilated, with many houses underwater to their roof lines. The highly elevated I-380 was the only way to get across town, though all of the entrance and exit ramps in the flood zone were submerged. We—like seemingly everyone else in the city—drove slowly along the highway and peered out our windows to survey the devastation as the flood waters rippled mere feet beneath us.

As the water slowly receded, the city reeled over the destruction of homes, the closing of businesses, the undermining of infrastructure ... but never the loss of spirit. The city leaped almost immediately into action to tear down what was unsalvageable, repair what was repairable, clean up what was messy and dangerous, reimagine new life and purpose for what was destroyed, and start to recover and relocate and rebuild ourselves into a newer and better and more thoughtfully redesigned shining city on the river. We now have our vibrant and ever-expanding NewBo district and its neighboring Czech Village restoration, we've literally picked up and moved an entire museum to higher ground, we've creatively and beautifully incorporated new levees and berms into inviting public spaces, we've used the opportunity to upgrade and restore historic buildings, we've turned our once-desolate-after-5:00 downtown into a destination area bustling with restaurants and entertainment (well, before covid hit—but it bounced back as soon as returning was safe) ... and we've salvaged and restored and improved and polished up my beloved Paramount and Iowa (home of Theatre Cedar Rapids) theaters.

The flood was awful and heartwrenching and devastating. Many businesses never recovered. Many homes and families and lives have been forever changed. And our renaissance is perpetually ongoing and far from complete; in the last decade-plus, we've brought to life a towering modern addition to the stately Chicago-school American Building, built an expanding Habitrail of downtown skywalks, converted all the downtown one-way streets into two-way to feel more like friendly streets than impersonal expressways, incorporated towering, visually referential berms into the natural features along the river lowlands, and built many massive, architecturally interesting mixed-use buildings in the vibrantly revitalized Kingston Village neighborhood.

There was one sliver lining linking the 2008 flood that destroyed the center of the city to the 2020 land-hurricane derecho that destroyed enormous amounts of the entire city: The blocks and blocks of still-empty land in what was left of the flood-destroyed Time Check neighborhood became the primary dumping ground for the thousands and thousands of derecho-felled trees that the city slowly hauled away from everyone's property. It was centrally located, it offered a LOT of land and it made a mighty monument to the destruction the city endured. Driving by it was both breathtaking and heartbreaking. But also reassuring in that it provided a useful place for the city to dump the trees it collected and get back out to collect more as efficiently as possible.

Aside from the before-and-after photos of my dad's office, where he thought two levels of concrete blocks would protect his antique roll-top desk from the floodwaters that eventually submerged his entire office past its ceiling, the pictures I'm posting here aren't mine. But they show the depth and breadth of the destruction we all faced and make a great reminder of how amazingly far we have come in the last ten years.

So happy floodiversary, Cedar Rapids! May we keep our recovery and flood-protection development speeding along forevermore. (And don't forget to wish my folks a happy 61st anniversary tomorrow.)

Third Street looking south from First Avenue. You can see the old Theatre Cedar Rapids marquee on the left.

Theatre Cedar Rapids. All the First Avenue storefronts on the left were shut down after the flood, and the space became the awesome new Linge Lounge.

Dad’s office—and beautiful oak roll-top desk—before and after the flood. The desk was unsalvageable, and everything in it got ripped out and carried away by the floodwaters.

1,300 blocks on both sides of the river were submerged—some under more than 10 feet of water.

Those ghostly lines in the water are the totally submerged bridges that cross May’s Island as they connect the east and west sides of the city.

That’s normally-high-in-the-sky I-380 snaking through downtown with floodwater submerging its ramps and lapping at its floors.

The massive crown-jewel National Czech & Slovak Museum & Library building on the lower right was actually lifted and relocated to higher ground after the flood.


We parked this string of train cars on this essential train bridge before the flood to weigh it down so the floodwaters wouldn’t wash it away.


We parked this string of train cars on this essential train bridge before the flood to weigh it down so the floodwaters wouldn’t wash it away.


Entire neighborhoods. Families’ lives. Wiped out. No words.


The floodwaters floated the Mighty Wurlitzer organ console two stories from the bottom of the Paramount Theater orchestra pit to above the stage, where they dumped it like a dirty carcass.

Theater: Next to Normal

Next to Normal—a searing, brilliant, Pulitzer-winning rock opera examining the lives of a family whose mother is desperately struggling with bipolar depression—opened on Broadway 16 years ago today. The show beautifully captures the swings between the ridiculous highs and the soul-crushing lows the disease brings to those of us living in its fogs and terrors ... and to the selfless teams of people who care for us.

I’m fortunate enough to have seen the original production, very soon after I’d been diagnosed as bipolar and had found myself caught in a rather terrifying struggle to wrap my confused, exhausted brain around the fact that mental illness was no longer a mysterious entity in other people’s lives; it was MY life, and I had no idea how to manage it or what potential and very real horrors to expect from it.

The musical is rough to experience from any perspective, but seeing it for the first time tore me apart ... and then put me back together with its closing anthem, “Light,” which features an almost casually placed lyric that is at once devastating and hopeful and never fails to sneak up on me and emotionally gut me even though I know it’s coming: “The price of love is loss / but still we pay / we love anyway.”

Back when I saw the show on Broadway, selfies were new and weird and shameful—and for you young folks, it was the Middle Ages when our smartphones had cameras that faced only one way and didn’t let us see on our screens what our selfies would look like so we just had to hold our phones in the air and hope for the best—so I took this one-try selfie as quickly and discreetly as I could to ensure an entire city of complete strangers wouldn’t judge me. It turned out rather well, although I cut off the last letter of the sign. Which means as far as any of you know, I actually just saw a knockoff production called Next to Norma.

I've been invited to be the Bipolar Person in Residence and talk to the casts and audiences of Next to Normal productions at multiple theaters over the last decade. And while I hope it was helpful for the actors as they rehearsed and found their characters' realities, it was extremely helpful for me to have an opportunity to articulate the swings and uncertainties and terrors of living with a mental illness—both so I could explain any weirdness I've personally exhibited and to help the actors help their audiences better understand these realities.

I also maintain a blog of my journey, struggles, triumphs, thoughts and research into bipolar disorder and mental illness in general at TMIpolar.blogspot.com

While every bipolar mind is different and therefore every moment of Next to Normal doesn't exactly mirror my experiences, every note and every word of the show is brilliant and hits brilliantly close to home. And that closing anthem—sung by the characters not to each other but to the audience and to the present and to the future—encapsulates the struggles and hopes I live with every day in astute prose and powerful, emotional, wall-of-sound vocals:

Day after day,

We'll find the will to find our way.

Knowing that the darkest skies

Will someday see the sun.

When our long night is done,

There will be light.

Emma and the Aase

If you were making a move about sensible, salt-of-the-earth people and called Central Casting and said “Send me an old, stoic, self-sufficient Norwegian bachelor woman who can repair a roof and bake paper-thin sugar cookies all in one day … oh, and also who can terrify her sister’s young grandchildren at night because she looks like a floating Victorian ghost when she leaves her hair down,” you’d promptly have the white-haired, durably assembled Emma Christina Nystrom show up at your door in her homemade plaid cotton house dress.

Emma was my mother’s aunt, but she was always Aunt Emma to everyone from every generation in our family. She was part of a long line of my Norwegian forebears who practically built the entirety of Northeast Iowa, particularly Decorah and the sleepy bedroom-and-once-booming-train-hub community of Calmar just south of it.

My sister and I were kind of scared of Emma when we were kids. She wasn’t terribly demonstrable or huggy, she never told fart jokes, and she was completely deaf, which made it extremely difficult for us as kids to warm up to her.

A true child of the Depression, Emma never wasted a thing. She ate entire apples—even the cores, which kind of grossed us out. She turned her old dresses into quilts and eventually the quilt scraps became painting rags that she washed and reused until they crumbled into nothing.

 
She even darned her stockings and later her pantyhose, which made her look like she had alarmingly dark varicose veins running up and down her legs.

When her parents and grandparents (who only spoke Norwegian) got to the point that they needed constant care, Emma dropped out of business school to care for them and her younger siblings. And she never went back. She also never married, so she lived in Calmar her entire life caring for everyone and eventually for the house that her father had built and various generations of her family had lived in for almost a century.

Now, we Norwegians are of sturdy stock. Emma outlived her siblings and pretty much all her friends, and by the early ‘90s when she had to leave the family home and move into the nearby Aase Haugen Home For Sturdy Norwegians Who Are Finally Starting To Need Constant Care But Who Don’t Want To Burden Their Families, she was also in her 90s.

 
We drove up to Decorah to visit her in The Aase (as the locals and residents called it) as often as we could over the next few years. But her spirits were failing as fast as her body. She complained that all her friends and her entire family but us had died. She complained about the people assigned to her table at dinner time. She complained that she was just tired and was ready to go.

I was recently out of college and finally living in my first house about a mile from my parents. And in 1995 on Christmas Eve Day as we were busy cooking our traditional Norwegian Christmas meal at their house, we got a call from The Aase: Aunt Emma was failing fast and they didn’t expect her to last the night.

So Mom and I got in a car, left all the cooking and baking and table-setting and guest-entertaining to my dad and sister, and made the two-hour drive up to see her as snow gently covered all the Iowa farms and towns in sparkly white.

When we got there, Aunt Emma was in and out of consciousness and looking like she was indeed at death’s door. So we held her hands and adjusted her blankets to make her comfortable and sang Christmas carols with her.

 
At one point, we were finishing what we thought was the final verse of “Silent Night,” but Emma clearly knew the song better than we did because in her fog she barrelled into a final verse we only barely recognized. We did our best to sing along though. But only so she wouldn’t judge us in the afterlife.

As it got late, I realized we had no Christmas Eve dinner for the three of us to enjoy. The Aase’s kitchen had closed, so I jumped in the car and started driving around Decorah (in the prehistoric days before GPS phones and even Mapquest) to find something for us to eat.

You’d think a grocery store in a very Norwegian town would have Norwegian favorites in stock on Christmas Eve, but you’d be wrong. So I had to improvise: pre-packaged cups of Christmas-red Jell-O, Kaiser rolls (because Germany is in Europe so it’s practically the same as Norway) and cold cuts. It wasn’t much, but it would definitely become a memory.

But when I got back and we ate our bountiful feast, Emma started to rally. She was lucid and talking, and she and even the night nurse told us we might as well go home.

So Mom and I got back in the car and drove home through the snow-covered fields and little Iowa towns late on that Christmas Eve. We sang along with a “Messiah“ broadcast we found on the radio and talked about Emma and the end of an era she represented when she eventually dies, and we had a rather lovely time together.

But when we got home, everything was chaos … from a proper-Christmas-decorating perspective, and my sister begged us to never leave her alone with Dad on Christmas Eve again because he set the table like a toddler and made the Christmas trees on the Spode china crooked. CROOKED!

 
The next morning—Christmas Day—as we were finally enjoying our now-leftovers Christmas Eve dinner—ON CORRECTLY ORIENTED PLATES—we got another call from The Aase: Emma had died peacefully in her sleep that morning. And ever since then, her death has always added a poignant side note to our Christmas celebrations. But if you want to be remembered long after you’re gone—especially in a social-media post that gets re-posted every year in perpetuity—I recommend dying on a major family holiday.

Deaths are always sad, but Emma had certainly had a good, long run and we were all ready to let her go. And she was clearly ready to let go herself.

I don’t remember how we learned this next little tidbit because we certainly didn’t have the news on during Christmas, but we eventually found out about someone else who had died that same Christmas Day: Dean Martin. Boozy, handsome, king-of-cool Dean Martin had died on the same Christmas Day as prim, proper, sturdy, Depression-sensible Emma Christina Nystrom.

And as we pondered this odd little coincidence and mourned each person in our separate but very different ways, we all found ourselves asking the same obvious question:

What do you suppose Aunt Emma and Dean Martin are talking about as they wait in line together at the Pearly Gates?

Nobody thought it would be one of the kids

Nobody probably thought the Boat Crew would last this long, actually.

When four young couples from the same Cedar Rapids Lutheran church rented a houseboat and sailed up and down the Mississippi River for a long weekend in the summer of 1971, nobody probably even thought it was more than a one-time vacation.

But the couples invited more couples and did it again the next summer, and the next. Over time, a few couples came and went, but the tradition lived on summer after summer. Eventually a core group of seven couples emerged, and the Boat Crew was established … and a vital extended family was born.
Unofficially (or officially, depending on your personal opinion) the group’s name was the Mississippi River Marching and Drinking Society. But “Boat Crew” was easier to say. And less complicated to explain to the couples’ children, who were all about the age of the Boat Crew tradition itself.

As lives and careers evolved, many of the couples moved away … but everyone came back summer after summer for what had become an annual gathering of Boat Crew family with bonds as strong as any biological family.

And that family bond extended beyond the relationship between the seven couples; their children often spent the Boat Crew weekends together in one couple’s house, under the probably exhausted watch of two or three weekend-long babysitters.

Naturally, the kids developed a family bond as strong as their parents’. They were unofficial siblings in an extended family network, and they felt confident in the parental love they received from every member of the Boat Crew.

As the summers passed, the Boat Crew bond continued to grow and strengthen, especially over a developing collection of in-jokes, funny stories and traditions that became almost sacred. The most prominent tradition was Joy. It started when one couple brought a large white flag emblazoned with the word Joy in bright colors and displayed it on the ship’s mast. The flag appeared every summer, and eventually it inspired the regular exchanging of Joy-festooned knickknacks, shirts, Christmas ornaments (all collectively over the years described as "Joy shit") and even one summer little bottles of Joy dishwashing soap.

Music—an integral part of the Lutheran church where they all met—was just as important to the Boat Crew. The group contained many talented singers, and as they gathered under the stars with a guitar and a couple bottles of wine each summer, they sang hymns and folk songs and show tunes and whatever else they could think of. Their unofficial anthem was “Beautiful Savior,” which they sang together—in full, glorious harmony—on every gathering.

As the kids grew over the next four decades, the Boat Crew also started convening off-season for confirmations and graduations and weddings and grandchildren and the occasional family tragedy … and the inevitable deaths of the Boat Crew couples’ elderly parents.

And through it all, the Boat Crew became a bit of a statistical anomaly: seven couples who lived into their 50s and 60s and 70s and now 80s … and stayed friends … and stayed married … and stayed alive until the first ones passed away in the last few years.

As they started to retire from their jobs and prioritize grandparent obligations over Boat Crew gatherings, the group wasn’t always able to find a summer weekend that all seven couples could attend. And the “boat” part of Boat Crew became a bit of an anachronism; the summer reunions were happening now in Bed and Breakfasts overlooking the Mississippi instead of boats on the Mississippi.
And as they started to navigate the medical infirmities and physical indignities that come with age, the Boat Crew members started to contemplate their own mortality. Never ones to face life with fear or even reverence, they were realistic about—and at peace with—the inevitability of their deaths … and they were not above having betting pools over who would go next.

But it never occurred to anyone that the first to die might not be one of the adults.

Robbie (who as an adult called himself Robert but I’d known him since we were toddlers and I could never think of him as anyone but Robbie) was 42, pretty much right in the middle of the range of ages of the Boat Crew kids. He started getting sick 14 years ago last summer, but he didn’t think it was much to worry about: just some lower back pain, fatigue and abdominal discomfort. But then the guy behind the Chicago neighborhood deli counter where he went every day told him he looked yellow. And he became painfully constipated. And on a trip home to see his parents in Iowa, he decided to see a doctor.

And that’s where he found out.

Colon cancer.

Stage 4.

Colon cancer patients at stage 4 have an 8-15% chance of being alive five years after diagnosis. And Robbie, forever the optimist, dove right into surgery and chemotherapy while his parents took care of him in their home.

But it quickly became obvious that he was losing the battle. And as he eventually slipped into a coma, his parents—buoyed by the love and calls and texts and emails of Boat Crew members across the country—kept a vigil by his bed.

And six weeks after his diagnosis—six weeks after driving himself and his two cats seven hours from Chicago to his parents’ house, five weeks after walking into the doctor’s office with what he thought were just stomach pains, three weeks after cheering on friends in the Chicago Marathon via Facebook—Robbie drew his last breath, sending waves of shock and devastation throughout his extended Boat Crew family.

Robbie’s father had died of cancer 40 years earlier, before the Boat Crew had been officially established. His widowed mother and the man who eventually became her next husband had been regular Boat Crew members from nearly the beginning.

While she was still single, though, she and Robbie had taken vacations with our family a number of times, often to Adventureland amusement park in Des Moines, Iowa, and once on a Bicentennial road trip to Philadelphia to see the Liberty Bell and to Washington, D.C., to see pretty much everything else associated with America’s birth.

Robbie and I went to different high schools and colleges, but we eventually both found our ways to Chicago. We kept seeing each other at Boat Crew gatherings, but we’d slowly drifted apart … as had many of the Boat Crew kids as we scattered about the country and built our own families.

Robbie’s parents and mine, of course, had stayed fast Boat Crew friends. And when Robbie was facing the first weeks of his cancer treatments, my parents made a trip to Des Moines to stay with them.
Robbie died 14 years ago today. Even though I knew it was inevitable, I was more choked up than I’d expected to be when I got the call. We hadn’t seen each other in probably five years. And I knew that he was no longer suffering through an excruciating illness. But his death—especially as a Boat Crew kid and not an adult—was a shock to all of us … and an indescribable devastation to his parents.

 
But for the first time in many years, the entire Boat Crew—along with a handful of Boat Crew kids—dropped everything in their lives and appeared at the funeral. Forever part of the family, we walked in with Robbie’s parents and biological family members and were seated right behind them. And when the congregation sang “Beautiful Savior,” the Boat Crew’s beautiful harmonies rose above the music as if to lift Robbie to whatever awaited him in the afterlife and remind him of the loving extended family he’d been a part of on earth.

His parents asked me to be one of his pall bearers, which I accepted as an honor. Escorting a lifelong friend to his grave is overwhelming—especially when we’re both so young—but I felt giving him a solemn, respectful final journey was the best gift I could give him.

He was family, after all.

Remembrances: 9/11

24 years ago this morning I ran a little late and got caught in the rush-hour crowds that prevented me from getting a seat on my EL train. But as I stood there—a relatively new Chicagoan—I was still in awe of the fact that I actually lived in Chicago and rode a train to work and I reveled in the fact that I was one of THEM: my fellow Chicagoans packed in the train car with me, commuting to (or from) our jobs as waiters, insurance brokers, construction workers, actuaries, janitors, bankers, personal trainers, writers, and every other career and purpose in our big, always-moving city.

When I finally arrived at work and got off the elevator, I saw everyone in my office crowded around the TVs in our glass-walled conference room. My first thought was that my colleagues would see I was late. But after joining them—both in front of the TVs and in shared abject horror—and watching the towers burn and fall, seeing the gaping wound in the Pentagon, learning of the disappearance of an entire airplane and its passengers in a fiery pit, I was struck by the fact that my underground commute that morning with my fellow train riders—a microcosm of the city, if not the country—was our last collective moment of innocence before we had access to any news and we suddenly had to face the sickening, horrifying, misanthropic enormity wrought by other human beings on a scale none of us could have ever imagined.

24 years ago today I never felt closer to colleagues, friends, family members and even strangers as we worked to understand the hatred and comprehend the savagery of perhaps the ugliest tragedy in our lifetimes.

24 years ago today we lost a certainty in our collective safety but we gained a powerful strength in our ability to care for and protect and even love each other when we needed to ... and even when we didn't.

24 years ago today, our world changed immeasurably. Our hearts broke irreparably. Our determination grew mightily. Our humanity spread defiantly. Time may erode the intensity of our initial united magnanimity, but we will never forget.

Surviving the Bombing of Pan Am Flight 103

Twenty-three years ago—on the 10th anniversary of the bombing of Pan Am Flight 103—I was invited to write a personal remembrance of the event for the scholarly Journal of Personal & Interpersonal Loss through the psychology department at the University of Iowa. As I sifted through my research and artifacts and memories and emotions, I found I had a lot to say—and the essay ended up being over 2,000 words. I was just hitting my stride as a confident professional writer, and though my emotions and penchant to express myself in extremes have mellowed over the past two decades, I’m still quite proud of what I wrote and how I wrote it. If you care to read a sample, here’s the preamble:

On December 21, 1988, a terrorist bomb blew Pan Am Flight 103 out of the sky over Lockerbie, Scotland, 54 minutes after it took off from London's Heathrow Airport. The explosion sent 259 passengers and crew members tumbling 6 miles to their deaths, killed 11 people on the ground, and created waves of shock and grief that continue to reverberate across the globe. My friend Miriam Wolfe, one of 35 students returning from a semester in London under the auspices of Syracuse University, was on that flight. Her death was the final, jarring event in a traumatic year that had brought me the accidental deaths of four other friends in an Easter plane crash and the breast cancer that would force my mother to endure a mastectomy and painful years of chemotherapy and drug treatments. While it is tempting to canonize the victims of violent disaster, Miriam was different—and inarguably deserving of such hagiography. A tribute written for one of three memorial scholarships established in her honor calls her ‘a rare and gifted young woman who lived life to the fullest; actively worked to change the world for the better; and gave a great deal of love, joy and wisdom to all who knew her.’ Her death yanked me from the comfortable naiveté of my youth and forced me to confront the pain and confusion of the adult world. It destroyed my faith in the inherent good of mankind but showed me how disaster can bring out the best in people. It gave me a nihilistic view of life but forced me to make the most of every moment I have. It made me appreciate the people around me but gave me little tolerance for anyone who wastes my time. And it instilled in me a knee-jerk animus toward religion and nearly all things Middle Eastern. Ultimately, though, Miriam's life and death taught me how to live and love and survive in ways I never thought necessary—or possible.

Excerpted from "Surviving the Bombing of Pan Am Flight 103: The Loss of Innocence and a Dear Friend in an International Tragedy." Journal of Personal & Interpersonal Loss, Vol. 3, No. 1, January–March 1998. Pages 117–134. Publisher: Taylor & Francis.

Family: Ruthie Bjonerud

Robert, Edna, Neva and now Ruthie Bjonerud were finally reunited three years ago today on the hereafter family farm, where the pastor at Ruthie’s funeral declared that all the cats are nice.

Ruthie was my mother’s cousin and the undisputed keeper of all the family history and lore on the seven-brother-and-two-sister Bjonerud family tree, the diaspora of which came from across the country to reunite at her funeral—probably for the last time—in our easy, loving, treasured geniality to reminisce about Ruthie and catch up with everyone else in our extended Norwegian family. 

Ruthie had been in deteriorating health and had finally agreed to move into the Aase Haugen Home for Lingering Norwegians, where less than a week later she by all accounts died peacefully in her sleep. It’s all anyone could want as far as a way to go, and in her memory her beloved—but now aging, far-flung and busy with our big-city lives—extended family buried her in the Calmar Lutheran Cemetery family plot among the generations of sturdy Norwegian ancestors whose lives in rural northeast Iowa extend back to America’s Civil War. 

And then we—as did those generations before us—gathered at Calmar Lutheran Church for sandwiches and slices of cake prepared by the church ladies and enjoyed the fellowship of family, old memories, new stories and remembrances of the woman who'd spent her life tirelessly, lovingly chronicling it all for us.